.

0 (hodnocen0 x )

BK

First edition

New York ; London : W. W. Norton & Company, [2005]

xx, 525 stran : ilustrace, mapy, portréty, noty, faksimile ; 25 cm

ISBN 0-393-97800-1 (vázáno)

The Norton introduction to music history

Terminologický slovník

Obsahuje bibliografické odkazy a rejstřík

001471145

s // ciöC: // LIST OF MAPS AND ILLUSTRATIONS XI // PHOTO CREDITS XV // PREFACE XVÜ // chapter i Introduction: Monarchy, Religion, and the Rhetoric // of the Arts 1 // Monarchy and Nobility (4) • Religion (11) -The Rhetoric of the Arts (15) // chapter 2 The Birth of Opera, Monody, and the // Concerted Madrigal 22 // Court Culture, Politics, and Spectacle in Florence (22) - The First Operas (26) • Le nuove musiche (31) • Monody and the Serious Canzonetta in Naples, Rome, and Elsewhere (38) • Seconda pratica and the Concerted Madrigal (44) • Court Opera in Mantua, Florence, and Rome (48) // chapter 3 New Genres of Instrumental Music 55 // Frcscobaldi and Style Change in Lute and Harpsichord Music (55) • Chordal Composition (63) • Modal Composition (64) • Church Organ Music in Early Seventeenth-Century Italy (71) - The Violin and Italian Instrumental Ensemble Music (75) // chapter 4 Church Music in Italy, 1600-1650 86 // Churches and Other Religious Institutions (86) • Persistence ofTradi-tions (91) - The Small-Scale Sacred Concerto (96) • Sacred Dialogues and Oratorios (101) • Large-Scale Concerted Church Music (104) // chapter s Stage, Instrumental, and Church Music in // France to 1650 109 // The Balet comique de la Royne (109) - Types of Dance in Court Ballets, Other Spectacles, and Social Contexts (112) - The air de cour (119) // • Lute Music (123) • Harpsichord Music (127) • Instrumental Ensemble Music (130) • Organs and Organ Music (132) - Vocal

Music for Church (134) // CONTENTS // Vlil // chapter 6 Music in the Empire through the Thirty Years’War // The Italian Influx to the Empire and Eastern Europe (139) - The Earliest Lutheran Composers to Assimilate New Italian Styles after 1600 (143) • Heinrich Schütz (149) • Calvinist Music (153) • Lutheran Organ Music (154) • Froberger (156) • Ensemble Music in the Empire (158) • Sladpfeifern (159) - The German Continuo Song (160) // CHAPTER 7 // Music in England under the First Stuart Kings and Commonwealth // 164 // CHAPTER 8 // England in the European Context (164) • Instrumental Ensemble Music in England (164) • Lute and Harpsichord Music (170) • Church Music under the Stuart Kings (173) • Madrigals. Ayres, and Songs (174) - The Masque at the Courts of the First Stuart Kings (177) • Music, the English Civil War, and Commonwealth (183) // The Diffusion of New Vocal Genres for Theater, Chamber, and Church in Italy, 1635-1680 // The Spread of Opera from Rome (187) - Venetian Theaters (189) • Incogniti Operas (191) - Venetian Opera Conventions (195) - Venetian Arias (198) • Florence, Naples, Genoa (199) - The Spread of the Chamber Cantata (202) - The Oratorio in Rome at Mid-Century (205) • Changes in Liturgical Music in Italy (208) // chapter 9 Music at the Court of Louis XIV to the Death of Lully // Political, Economic, and Cultural Centralization in France (216) • Musique de la Grande Écuric (218) • Musique de la Chambre (220) • The Chapelle

Royale (225) • Italian Opera at the French Royal Court (229) • Spectacle as Propaganda at the Court of Louis XIV (230) -The System of Royal Academies (231) - The Beginnings of French Opera (232) • Ballets de cour and Comčdies-ballets (233) • // Tragčdie en Musique (239) • Lully’s Alceste (241) • Lully’s Harmony (248) • Music in the City of Paris in the Age of Louis XIV (252) // chapter io Music in Spain, Portugal, and their Colonies // The Spanish Empire and Its Church (257) • Latin Liturgical Music (259) -TheVillancico and Other Vernacular Church Music (262) • Autos sacramentales (268) - Vocal Chamber Music (269) • Stage Music (273) - The Zarzuela (277) • Keyboard Music (278) • Harp and Guitar (281) // 187 // 216 // 257 // CONTENTS // IX // chapter 11 Music in the Empire during the Later // Seventeenth Century 287 // The New Lutheran Piety and the Religious Aria (287) • Sacred Concertos for Solo Voice (289) • Sacred Concertos for Several Voices (291) • Chorale Concertos (293) • Religious Vocal Music at the Catholic German Courts (297) • Keyboard Music (301) • Instrumental Ensemble Music (305) • Seventeenth-Century Opera in the German Lands (312) • German Music Theory (315) • Summary (318) // chapter 12 Sonata and Concerto in Late Seventeenth-Century Italy // 322 // The Italian Trio and Solo Sonata in the Second Half of the Seventeenth Century (322) • Arcangelo Corelli (328) • The Normalized Harmonic Style (330) • The Solo

Sonata after Corelli (343) • The Rise of the Concerto Grosso (344) • The Bolognese Trumpet Sonata (348) • The Solo Violin Concerto (351) // chapter n England from the Restoration through // the Augustan Age 357 // Charles II and the Musical Institutions of His Court (357) - Anthems and Services (359) • Odes and Welcome Songs (361) • Songs and Domestic Vocal Ensembles (363) - Viols and Violins (364) • Solo Keyboard Music (369) • Plays with Music—Dramatick Operas (371) • // All-Sung Operas (375) // chapter 14 Italian Vocal Music, ca. 1680-1730 382 // The Neoclassical Reform of Italian Opera, ca. 1680-1706 (382) • // Opera seria, Part 1 (387) - The Doctrine of the Affections (389) • Opera seria, Part 2 (396) - "A Perfect Spiritual Melodramma":The Italian Oratorio, ca. 1680-1730 (406) - The Chamber Cantata (410) • Latin Church Music (414) // chapter is French Music from the War of the Grand Alliance // to the End of the Regency 423 // France Declines in the Theater of Europe (423) • Italian Music: Rapprochement and Resistance (425) - The cantatefrartfoise (430) - Vocal Church Music (435) • Organ Music (438) • Pičces de clavecin (440) • // Sonatas and sonades (446) • Orchestral Music (449) • The Harmonic Theories ofJean-Philippe Rameau (450) // x // CONTENTS // chapter 16 German Traditions and Innovations, ca ? 690-1750 454 // The New Lutheran Cantata (454) • Bach’s Cantatas (460) • Protestant Oratorios and Passions (467) • Handel’s Oratorios

(469) • Bach’s Passions and Oratorios (473) • Bach’s Keyboard Works (481) • Instrumental Ensemble Music (487) • The End of an Era—The Legacy of the Baroque (491) // appendix Rhetorical Figures that Are Frequendy Mirrored // in Music 495 // index 498