.

0 (hodnocen0 x )

BK

First edition

New York ; London : W. W. Norton & Company, [1991]

xvii, 554 stran : ilustrace, 1 mapa, portréty, noty ; 24 cm

ISBN 0-393-95272-X (vázáno)

The Norton introduction to music history

Obsahuje bibliografii na stranách 491-537 a rejstřík

001471309

PREFACE XI // INTRODUCTION THE NINETEENTH-CENTURY MUSICAL BACKGROUND // PART I. BEYOND TONALITY: FROM 1900 TO WORLD WAR I // The Historical Context: Europe at the Turn of 11 the Century // Some Transitional Figures 18 // Austria: Mahler • Germany: Richard Strauss • Busoni • Pfitzner • Reger • France: Debussy • Satie • Russia: Skryabin // The Atonal Revolution 62 // Schoenberg • Schoenberg as Theorist and Teacher • Webern • Berg // New Tonalities 89 // Stravinsky • Bartók // Other European Currents 111 // Russia: Rachmaninov and Others • Italy: The Futurists • Czechoslovakia: Janáček • Hungary: Kodály • Scandinavia: Sibelius and Nielsen • France: Ravel // Beyond the Continent 128 // Music in England • Vaughan Williams • Holst • Charles Ives and American Music // PART II: RECONSTRUCTION AND NEW SYSTEMS: BETWEEN THE WARS // chapter VIII The Historical Context: Europe after World War I 151 // chapter vín Neo-Classicism 159 // The “New Spirit” in France • Satie • Les Six • Poulenc // • Milhaud • Honegger • Stravinsky and Neo-Classicism • Bartók // chapter ix The Twelve-Tone System 187 // Schoenberg • Webern • Berg // CHAPTER x The Influence of Politics 220 // Germany • Hindemith • Weill • Russia • Prokofiev • Shostakovich // chapter XI Other Europeans 251 // Italy: Casella, Malipiero, and Dallapiccola • Germany: Orff* Austria: Hauer • Krenek • Poland: Szymanowski • Czechoslovakia: Hába • Spain: Falla // chapter хи England after World War I 270 // Walton • Britten • Tippett // chapter хні The United States 283 // The New American Traditionalists • Copland • Sessions • The Experimental Tradition in American Music // • Cowell • Partch • Varese //

chapter XIV Latin America 315 // Villa-Lobos • Chávez • Ginastera • Other Latin Americans // PART III: INNOVATION AND FRAGMENTATION: FROM WORLD WAR II TO THE PRESENT // CHAPTER XV // CHAPTER XVI // The Historical Context: The World after World 325 War II // Integral Serialism // The Postwar Compositional Mood • The Serial Revolution in France: Messiaen and Boulez • Serialism in Germany: Stockhausen • American Serialism: Babbitt • Stravinsky and Serialism // Indeterminacy 359 // Cage and Other Americans • Indeterminacy in European Music • Notational Innovations // Innovations in Form and Texture 379 // The Implications of Serialism and Indeterminacy • // From Pointillism to Group Composition • Textural Music • New Instrumental Resources • Stochastic Music • Corresponding Developments in American Music // The New Pluralism 407 // The Post-Serial Age • Quotation and Collage • Jazz, // Rock, and Popular Influences • Ethnic Sources // A Return to Simplicity: Minimalism and the New 423 Tonality // Minimalism • The Rediscovery of Tonality • Microtonality // Music and the External World 441 // New Approaches to Language • Extensions in Music Theater • Multimedia • Traditional Opera • The Encroachment of Reality • Environmental Music • Music and Politics // Developments in Technology: Electronic Music 461 // Antecedents • Musique Concrete • Electronic Studios • Synthesizers • Live and Electronic Mixtures • Live Electronic Music • Computer Music • The Impact of Technology on Twentieth-Century Music // Epilogue: Music Today 481 // The Current Musical Scene • The Culture of Musical Pluralism • Musical Tradition Today • A Glimpse at the Future 491