.

0 (hodnocen0 x )

BK

London : Imperial College Press, [2010]

xix, 402 stran : ilustrace, noty ; 24 cm

ISBN 978-1-84816-268-6 (vázáno)

Obsahuje bibliografie a rejstřík

001479432

Contents // Preface ix // The Mansell Bequest Symposia of the Medical Society of London xi // List of Contributors xiii // Abbreviations xix // Chapter 1. The Evolutionary Basis of Meaning in Music: 1 // Some Neurological and Neuroscientific Implications Ian Cross // Chapter 2. Historical Perspectives on the Study of Music 17 // in Neurology // Julene K. Johnson, Amy B. Graziano, and Jacky Hayward // Chapter 3. The Creative Brain: Fundamental Features, 31 // Associated Conditions and Unifying Neural Mechanisms Stavia Blunt // Chapter 4. The Neurologist in the Concert Hall 61 // and the Musician at the Bedside George K. York III // VI // Contents // Chapter 5. The Human Nervous System — A Clavichord? 73 On the Use of Metaphors in the History of Modern Neurology // Frank Stahnisch // Chapter 6. The Musician’s Brain as a Model for Adaptive 103 and Maladaptive Plasticity // Eckart Altenmüller // Chapter 7. Temporal Co-ordination of the Two Hands 115 // in Playing the Violin // Mario Wiesen danger // Chapter 8. Music as a Calibrator of Time: 127 // Auditory Processing Steve Jones // Chapter 9. Musical Reading and Writing I43 // John Brust // Chapter 10. Tools at Musick’— Thomas Willis 151 // (1621-1675) on Congenital Amusia Marjorie Lorch // Chapter 11. Musicogenic Epilepsy I73 // Jock Murray // Chapter 12. Musical Hallucinations Stefan Evers // Chapter 13. Migraine Aura as Source of Artistic Inspiration 203 in the German ‘Dark Chanteuse’ Aiwa Glebe Klaus Podolí // Contents

vii // Chapter 14. Musical Palinacousis as an Aura Symptom 221 // in Persistent Aura without Infarction Klaus Podolí // Chapter 15. Coloured-Hearing Synaesthesia in 239 // Nineteenth-Century Italy Lorenzo Lorusso and Alessandro Porro // Chapter 16. Crossed Wires: Synaesthetic Responses to Music 257 Ivan Moseley // Chapter 17. The Recognition of Music in Frontotemporal 277 Lobar Degeneration Julene K. Johnson // Chapter 18. Maurice Ravel and the Music of the Brain 291 // Ola Seines // Chapter 19. Cerebrovascular Disorders of Baroque 299 // Composers // Tomislav Breitenfeld, Darko Breitenfeld, and Vida Demarin // Chapter 20. From Sensibility to Madness in 315 // Nineteenth-Century Romanticism — // Neurosyphilis in German-Speaking Composers // Hansjörpf Bäzner and Michael Hennerici // Chapter 21. Singing: When It Helps 335 // Gottfried Schlaug // Chapter 22. Singing Improves Word Production in Patients 347 with Aphasia // Geir Olve Skeie, Torun Einbu, and Johan Aarli // Contents // viii // Chapter 23. Nerve Compression Syndromes in Musicians — A Surgeon’s View Ian Winspur // Chapter 24. Focal Hand Dystonia Affecting Musicians Katherine Butler // Index // 359 // 367 // 393