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Bibliografická citace

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New York : Routledge, Taylor & Francis Group, 2019.
1 online zdroj (xi, \1 s.ges) : illustrations.
Externí odkaz    Plný text PDF 
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ISBN 9780367029302 ((ebook))
ISBN 0367029308 ((ebook))
ISBN 9780429629471 ((ebook) : PDF)
ISBN 0429629478 ((ebook) : PDF)
ISBN 9780429627835 ((ebook) : EPUB)
ISBN 0429627831 ((ebook) : EPUB)
ISBN 9780429626197 ((ebook) : Mobipocket)
ISBN 0429626193 ((ebook) : Mobipocket)
ISBN !9780367029289 (chyb.)
Routledge studies in media theory & practice ; 7
"Routledge focus"--Cover.
Obsahuje bibliografické odkazy a rejstřík.
Motion typography -- The "reading-image" -- Kinetic action -- Graphic expression -- Chronic progression -- Conclusions.
In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the ’reading-image’ to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences--including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)--Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media..
Michael Betancourt is an artist/theorist concerned with digital technology and capitalist ideology. His writing has been translated into Chinese, French, German, Greek, Italian, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo. He is the author of The ____________ Manifesto, and books such as The History of Motion Graphics, and The Critique of Digital Capitalism, as well as three books on the semiotics of motion graphics: Semiotics and Title Sequences, Synchronization and Title Sequences, and Title Sequences as Paratexts. These publications complement his movies, which have screened internationally at the Black Maria Film Festival, Art Basel Miami Beach, Contemporary Art Ruhr, Athens Video Art Festival, Festival des Cinemas Differents de Paris, Anthology Film Archives, Millennium Film Workshop, the San Francisco Cinematheque’s Crossroads, and Experiments in Cinema, among many others.
Online resource ; title from PDF title page (EBSCO, viewed November 27, 2018).

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